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									CSS English Precis and Composition Past Papers 2007 - CSS English Precis and Composition Past Papers				            </title>
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                        <title>CSS English Precis and Composition Past Papers 2007</title>
                        <link>https://cssforum.net/css-english-precis-and-composition-past-papers/css-english-precis-and-composition-past-papers-2007/#post-81108</link>
                        <pubDate>Sat, 08 Aug 2026 09:29:31 +0000</pubDate>
                        <description><![CDATA[FEDERAL PUBLIC SERVICE COMMISSIONCOMPETITIVE EXAMINATION FORRECRUITMENT TO POSTS IN BPS-17 UNDERTHE FEDERAL GOVERNMENT, 2007ENGLISH (Précis &amp; Composition)
TIME ALLOWED: 3 HOURS………………….....]]></description>
                        <content:encoded><![CDATA[<p style="text-align: center"><span style="font-size: 14pt"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong></span><br /><span style="font-size: 14pt"><strong>COMPETITIVE EXAMINATION FOR</strong></span><br /><span style="font-size: 14pt"><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong></span><br /><span style="font-size: 14pt"><strong>THE FEDERAL GOVERNMENT, 2007</strong></span><br /><br /><strong><span style="font-size: 14pt">ENGLISH (Précis &amp; Composition)</span></strong></p>
<p><strong>TIME ALLOWED: 3 HOURS…………………..Maximum Marks: 100</strong></p>
<p><strong>Q#1 Make a précis of the given passage and suggest a suitable heading.</strong></p>
<p><br />The author of a work of imagination is trying to effect us wholly, as human beings,<br />whether he knows it or not; and we are affected by it, as human beings, whether we<br />intend to be or not. I suppose that everything we eat has some effect upon us than<br />merely the pleasure of taste and mastication; it affects us during the process of<br />assimilation and digestion; and I believe that exactly the same is true of any thing we<br />read.<br />The fact that what we read does not concern merely something called our literary taste,<br />but that it affects directly, though only amongst many other influences , the whole of<br />what we are, is best elicited , I think, by a conscientious examination of the history of<br />our individual literary education. Consider the adolescent reading of any person with<br />some literary sensibility. Everyone, I believe, who is at all sensible to the seductions of<br />poetry, can remember some moment in youth when he or she was completely carried<br />away by the work of one poet. Very likely he was carried away by several poets, one<br />after the other. The reason for this passing infatuation is not merely that our sensibility<br />to poetry is keener in adolescence than in maturity. What happens is a kind of<br />inundation, or invasion of the undeveloped personality, the empty (swept and<br />garnished) room, by the stronger personality of the poet. The same thing may happen at<br />a later age to persons who have not done much reading. One author takes complete<br />possession of us for a time; then another, and finally they begin to affect each other in<br />our mind. We weigh one against another; we see that each has qualities absent from<br />others, and qualities incompatible with the qualities of others: we begin to be, in fact,<br />critical: and it is our growing critical power which protects us from excessive possession<br />by anyone literary personality. The good critic- and we should all try to critics, and not<br />leave criticism to the fellows who write reviews in the papers- is the man who, to a keen<br />and abiding sensibility, joins wide and increasingly discriminating. Wide reading is not<br />valuable as a kind of hoarding, and the accumulation of knowledge or what sometimes<br />is meant by the term „a well-stocked mind.‟ It is valuable because in the process of<br />being affected by one powerful personality after another, we cease to be dominated by<br />anyone, or by any small number. The very different views of life, cohabiting in our<br />minds, affect each other, and our own personality asserts itself and gives each a place<br />in some arrangement peculiar to our self.</p>
<p><strong>Q.2 Read the following passage and answere the questions that follow:</strong></p>
<p><br />Strong section of industrials who still imagine that men can be mere machines and are<br />at their best as machines if they are mere machines are already menacing what they<br />call “useless” education. They deride the classics, and they are mildly contemptiois of<br />history, philosophy, and English. They want our educational institutions, from the oldest<br />universities to the youngest elementary schools, to concentrate on business or the<br />things that are patently useful in business. Technical instruction is to be provided for<br />adolescent artisans; book keeping and shorthand for prospective clerks; and the<br />cleverest we are to set to “business methods”, to modern languages (which can be used<br />in correspondence with foreign firms), and to science (which can be applied to industry).<br />French and German are the languages, not of Montaigne and Gorthe, but of Schmidt<br />Brothers, of Elberfeld and Dupont et Cie., of Lyons. Chemistry and Physics are not<br />explorations into the physical constitution of the universe, but sources of new dyes, new<br />electric light filaments, new means of making things which can be sold cheap and fast to<br />the Nigerian and the Chinese. For Latin there is a Limited field so long as the druggists<br />insist on retaining it in their prescriptions. Greek has no apparent use at all, unless it be<br />as a source of syllables for the hybrid names of patent medicines and metal polishes.<br />The soul of man, the spiritual basis of civilization- what gibberish is that?<br />Questions<br />a) What kind of education does the writer deal with? (2)<br />b) What kind of education does the writer favour? How do you know? (3)<br />c) Where does the writer express most bitterly his feelings about the neglect of the<br />classics? (3)<br />d) Explain as carefully as you can the full significance of the last sentence. (4)<br />e) Explain the underlined words and phrases in the passage (8)</p>
<p><strong>Q-3 Note (250-300 words) on any one of the following</strong></p>
<p><br />1- Honesty is the best policy but advertising also helps.<br />2- It is hard for an empty bag to stand upright.<br />3- A suspicious parent makes an artful child.<br />4- Spontaneity and creativity as symbols of freedom.<br />5- Means justify ends.</p>
<p><strong>Q-4 Choose synonyms (only five)</strong></p>
<p><br />1- LACUNAE<br />a-tiny marine life<br />b-shallow water<br />c-local dialect<br />d-missing parts<br />2-PAROXYSM<br />a-moral lesson<br />b-sudden outburst<br />c-contradiction<br />d-pallid imitation<br />3-GROTTO<br />a-statue<br />b-cavern<br />c-neighbourhood<br />d-type of moth<br />4-FETTER<br />a-rot<br />b-to restrain<br />c-make better<br />d-enable to fly<br />5-STOICISM<br />a-indifference<br />b-boldness<br />c-deep affection<br />d-patient endurance<br />6-SUCCULENT<br />a-edible<br />b-parched<br />c-generous<br />d-mature<br />7-MALEDICTION<br />a-compliment<br />b-summary<br />c-perfume<br />d-awkwardness</p>
<p><strong>(B) Pick the most nearly opposite in meaning to the capitalized words.</strong></p>
<p><br />1-TWINE<br />a-straighten<br />b-continue<br />c-unravel<br />d-detach<br />2-FRUGAL<br />a-prodigal<br />b-intemperate<br />c-extravagant<br />d-profuse<br />3-GAWKY<br />a-neat<br />b-handy<br />c-graceful<br />d-handsome<br />4-CAPRICIOUS<br />a-firm<br />b-decided<br />c-inflexible<br />d-constant<br />5-CONGEAL<br />a-liquify<br />b-molify<br />c-harden<br />d-solidify</p>
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