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									English Literature Past Papers 2009 - English Literature Past Papers				            </title>
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                        <title>English Literature Past Papers 2009</title>
                        <link>https://cssforum.net/english-literature-past-papers/english-literature-past-papers-2009/#post-81697</link>
                        <pubDate>Mon, 24 Aug 2026 07:21:01 +0000</pubDate>
                        <description><![CDATA[FEDERAL PUBLIC SERVICE COMMISSIONCOMPETITIVE EXAMINATION FORRECRUITMENT TO POSTS IN BPS-17 UNDERTHE FEDERAL GOVERNMENT, 2009
ENGLISH LITERATURE, PAPER-I
PART – I (MCQ)
(COMPULSORY)
Q.1
...]]></description>
                        <content:encoded><![CDATA[<p style="text-align: center"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong><br /><strong>COMPETITIVE EXAMINATION FOR</strong><br /><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong><br /><strong>THE FEDERAL GOVERNMENT, 2009</strong></p>
<p style="text-align: center"><br /><span style="font-size: 14pt"><strong>ENGLISH LITERATURE, PAPER-I</strong></span></p>
<div class="PDq2pG_selectionAnchorContainer" style="text-align: center" data-section-id="1flodau" data-start="578" data-end="595"><strong><span style="font-size: 14pt">PART – I (MCQ)<span class="PDq2pG_selectionAnchor" aria-hidden="true"></span></span></strong></div>
<div style="text-align: center" data-start="597" data-end="613"><strong><span style="font-size: 14pt">(COMPULSORY)</span></strong></div>
<h3 data-section-id="1xxfog8" data-start="615" data-end="622">Q.1</h3>
<p data-start="623" data-end="714">Select the best option/answer and fill in the appropriate box on the Answer Sheet. <strong data-start="706" data-end="714">(20)</strong></p>
<p data-start="716" data-end="766"> </p>
<p data-start="716" data-end="766"><strong data-start="716" data-end="723">(i)</strong> Wordsworth was appointed Poet Laureate in:</p>
<p data-start="768" data-end="829">(a) 1817<br data-start="776" data-end="779" />(b) 1839<br data-start="787" data-end="790" />(c) 1843<br data-start="798" data-end="801" />(d) 1849<br data-start="809" data-end="812" />(e) None of these</p>
<p data-start="831" data-end="911"><strong data-start="831" data-end="839">(ii)</strong> Who suggested Shelley to “Curb your magnanimity and be more of a poet”?</p>
<p data-start="913" data-end="987">(a) Wordsworth<br data-start="927" data-end="930" />(b) Coleridge<br data-start="943" data-end="946" />(c) Keats<br data-start="955" data-end="958" />(d) Blake<br data-start="967" data-end="970" />(e) None of these</p>
<p data-start="989" data-end="1121"><strong data-start="989" data-end="998">(iii)</strong> The lines “The one remains, the many change and pass; Heaven’s light for ever shines, earth’s shadow fly” are composed by:</p>
<p data-start="1123" data-end="1192">(a) Shelley<br data-start="1134" data-end="1137" />(b) Byron<br data-start="1146" data-end="1149" />(c) Keats<br data-start="1158" data-end="1161" />(d) Southey<br data-start="1172" data-end="1175" />(e) None of these</p>
<p data-start="1194" data-end="1240"><strong data-start="1194" data-end="1202">(iv)</strong> “On Pathetic Fallacy” was written by:</p>
<p data-start="1242" data-end="1311">(a) Carlyle<br data-start="1253" data-end="1256" />(b) Lamb<br data-start="1264" data-end="1267" />(c) Ruskin<br data-start="1277" data-end="1280" />(d) Shelley<br data-start="1291" data-end="1294" />(e) None of these</p>
<p data-start="1313" data-end="1365"><strong data-start="1313" data-end="1320">(v)</strong> The 1805 text of <em data-start="1338" data-end="1351">The Prelude</em> is edited by:</p>
<p data-start="1367" data-end="1471">(a) Helen Darbishire<br data-start="1387" data-end="1390" />(b) Ernest De Selin Court<br data-start="1415" data-end="1418" />(c) Herbert Reads<br data-start="1435" data-end="1438" />(d) Coleridge<br data-start="1451" data-end="1454" />(e) None of these</p>
<p data-start="1473" data-end="1527"><strong data-start="1473" data-end="1481">(vi)</strong> <em data-start="1482" data-end="1512">The Lay of the Last Minstrel</em> is written by:</p>
<p data-start="1529" data-end="1604">(a) Blake<br data-start="1538" data-end="1541" />(b) Byron<br data-start="1550" data-end="1553" />(c) Tennyson<br data-start="1565" data-end="1568" />(d) Walter Scott<br data-start="1584" data-end="1587" />(e) None of these</p>
<p data-start="1606" data-end="1763"><strong data-start="1606" data-end="1615">(vii)</strong> “__________ the quality when man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason” is:</p>
<p data-start="1765" data-end="1862">(a) Objectivity<br data-start="1780" data-end="1783" />(b) Subjectivity<br data-start="1799" data-end="1802" />(c) Negative capability<br data-start="1825" data-end="1828" />(d) Scepticism<br data-start="1842" data-end="1845" />(e) None of these</p>
<p data-start="1864" data-end="1913"><strong data-start="1864" data-end="1874">(viii)</strong> <em data-start="1875" data-end="1897">The Quarterly Review</em> was founded by:</p>
<p data-start="1915" data-end="2003">(a) Walter Scott<br data-start="1931" data-end="1934" />(b) Byron<br data-start="1943" data-end="1946" />(c) Coleridge<br data-start="1959" data-end="1962" />(d) Thomas De Quincey<br data-start="1983" data-end="1986" />(e) None of these</p>
<p data-start="2005" data-end="2045"><strong data-start="2005" data-end="2013">(ix)</strong> <em data-start="2014" data-end="2030">Mansfield Park</em> is a novel by:</p>
<p data-start="2047" data-end="2146">(a) Katherine Mansfield<br data-start="2070" data-end="2073" />(b) Emily Bronte<br data-start="2089" data-end="2092" />(c) George Eliot<br data-start="2108" data-end="2111" />(d) Jane Austen<br data-start="2126" data-end="2129" />(e) None of these</p>
<p data-start="2148" data-end="2199"><strong data-start="2148" data-end="2155">(x)</strong> “I am half sick of shadows” is a line from:</p>
<p data-start="2201" data-end="2280">(a) Shelley<br data-start="2212" data-end="2215" />(b) Wordsworth<br data-start="2229" data-end="2232" />(c) Coleridge<br data-start="2245" data-end="2248" />(d) Tennyson<br data-start="2260" data-end="2263" />(e) None of these</p>
<p data-start="2282" data-end="2329"><strong data-start="2282" data-end="2290">(xi)</strong> <em data-start="2291" data-end="2300">Adonais</em> is an elegy on the death of:</p>
<p data-start="2331" data-end="2418">(a) Moschus<br data-start="2342" data-end="2345" />(b) Edward William<br data-start="2363" data-end="2366" />(c) Jhon Keats<br data-start="2380" data-end="2383" />(d) Shakespeare<br data-start="2398" data-end="2401" />(e) None of these</p>
<p data-start="2420" data-end="2490"><strong data-start="2420" data-end="2429">(xii)</strong> “Poetry is the criticism of life” is a view about poetry by:</p>
<p data-start="2492" data-end="2568">(a) Arnold<br data-start="2502" data-end="2505" />(b) Dr. Jhonson<br data-start="2520" data-end="2523" />(c) Shelley<br data-start="2534" data-end="2537" />(d) Hazlitt<br data-start="2548" data-end="2551" />(e) None of these</p>
<p data-start="2570" data-end="2631"><strong data-start="2570" data-end="2580">(xiii)</strong> <em data-start="2581" data-end="2602">The Pickwick Papers</em> by Dickens was published in:</p>
<p data-start="2633" data-end="2732">(a) 1837<br data-start="2641" data-end="2644" />(b) 1838<br data-start="2652" data-end="2655" />(c) 1839<br data-start="2663" data-end="2666" />(d) 1841<br data-start="2674" data-end="2677" />(e) None of these <span class="contents" data-content-reference-start="2675" data-content-reference-end="2692"><span class="" data-state="closed"></span></span></p>
<h3 data-section-id="6z7jxo" data-start="2734" data-end="2743">NOTE:</h3>
<p data-start="2745" data-end="2844">(i) First attempt PART-I (MCQ) on separate Answer Sheet which shall be taken back after 30 minutes.</p>
<p data-start="2846" data-end="2919">(ii) Overwriting/cutting of the options/answers will not be given credit.</p>
<p data-start="2951" data-end="3004"><strong data-start="2951" data-end="2960">(xiv)</strong> <em data-start="2961" data-end="2989">On Heroes and Hero-worship</em> is written by:</p>
<p data-start="3006" data-end="3074">(a) Huxley<br data-start="3016" data-end="3019" />(b) Carlyle<br data-start="3030" data-end="3033" />(c) Ruskin<br data-start="3043" data-end="3046" />(d) Mill<br data-start="3054" data-end="3057" />(e) None of these</p>
<p data-start="3076" data-end="3134"><strong data-start="3076" data-end="3084">(xv)</strong> Dickens, Thackray, George Eliot and Trollope are:</p>
<p data-start="3136" data-end="3211">(a) Novelists<br data-start="3149" data-end="3152" />(b) Poets<br data-start="3161" data-end="3164" />(c) Critics<br data-start="3175" data-end="3178" />(d) Essayists<br data-start="3191" data-end="3194" />(e) None of these</p>
<p data-start="3213" data-end="3265"><strong data-start="3213" data-end="3222">(xvi)</strong> <em data-start="3223" data-end="3249">The Voyage of the Beagle</em> was written by:</p>
<p data-start="3267" data-end="3340">(a) J.S. Mill<br data-start="3280" data-end="3283" />(b) Ruskin<br data-start="3293" data-end="3296" />(c) Carlyle<br data-start="3307" data-end="3310" />(d) Darwin<br data-start="3320" data-end="3323" />(e) None of these</p>
<p data-start="3342" data-end="3405"><strong data-start="3342" data-end="3352">(xvii)</strong> Who gave the aesthetic theory of Art For Arts’ Sake?</p>
<p data-start="3407" data-end="3490">(a) Wordsworth<br data-start="3421" data-end="3424" />(b) Browning<br data-start="3436" data-end="3439" />(c) Oscarwilde<br data-start="3453" data-end="3456" />(d) Galsworthy<br data-start="3470" data-end="3473" />(e) None of these</p>
<p data-start="3492" data-end="3616"><strong data-start="3492" data-end="3503">(xviii)</strong> “Poetry is not like reasoning, a power to be exerted according to the determination of will”, is a statement by:</p>
<p data-start="3618" data-end="3694">(a) Wordswoth<br data-start="3631" data-end="3634" />(b) Shelley<br data-start="3645" data-end="3648" />(c) Coleridge<br data-start="3661" data-end="3664" />(d) Arnold<br data-start="3674" data-end="3677" />(e) None of these</p>
<p data-start="3696" data-end="3759"><strong data-start="3696" data-end="3705">(xix)</strong> <em data-start="3706" data-end="3732">A Woman of No Importance</em> is a ______ by Oscarwilde:</p>
<p data-start="3761" data-end="3840">(a) Comedy<br data-start="3771" data-end="3774" />(b) Tragedy<br data-start="3785" data-end="3788" />(c) Dramatic Romance<br data-start="3808" data-end="3811" />(d) Farce<br data-start="3820" data-end="3823" />(e) None of these</p>
<p data-start="3842" data-end="3883"><strong data-start="3842" data-end="3850">(xx)</strong> George Eliot and T.S. Eliot are:</p>
<p data-start="3885" data-end="4023">(a) Brother &amp; Sister<br data-start="3905" data-end="3908" />(b) Contemporary writers<br data-start="3932" data-end="3935" />(c) Modern poets<br data-start="3951" data-end="3954" />(d) Critics<br data-start="3965" data-end="3968" />(e) None of these <span class="contents" data-content-reference-start="3946" data-content-reference-end="3963"><span class="" data-state="closed"></span></span></p>
<h1 style="text-align: center" data-section-id="1j7xe0y" data-start="4025" data-end="4036"><span style="font-size: 14pt">PART – II</span></h1>
<h3 data-section-id="6z7jxo" data-start="4038" data-end="4047">NOTE:</h3>
<p data-start="4049" data-end="4108">(i) PART-II is to be attempted on the separate Answer Book.</p>
<p data-start="4110" data-end="4214">(ii) Attempt <strong data-start="4123" data-end="4146">ONLY FOUR questions</strong>. Select <strong data-start="4155" data-end="4180">TWO from each SECTION</strong>. All questions carry EQUAL marks.</p>
<p data-start="4216" data-end="4313">(iii) Extra attempt of any question or any part of the attempted question will not be considered.</p>
<p data-start="4216" data-end="4313"> </p>
<h2 style="text-align: center" data-section-id="n6tzkm" data-start="4315" data-end="4329"><span style="font-size: 14pt">SECTION – I</span></h2>
<h3 data-section-id="1xxfogb" data-start="4331" data-end="4338">Q.2</h3>
<p data-start="4339" data-end="4633">The 19th century Romantic Movement has been variously interpreted as “the convalescence of the feeling of beauty”, “renaissance of wonder”, “split religion” and “erotic nostalgia”. Comment on the aspects giving your own assessment of the movement as it relates to the prescribed poets. <strong data-start="4625" data-end="4633">(20)</strong></p>
<h3 data-section-id="1xxfoga" data-start="4635" data-end="4642"> </h3>
<h3 data-section-id="1xxfoga" data-start="4635" data-end="4642">Q.3</h3>
<p data-start="4643" data-end="4859">“To many readers Shelley’s genius is primarily lyrical: which commonly implies emotional. This is very doubtful – intense and unremitting intellectual activity seems to have been the main characteristic of his mind.”</p>
<p data-start="4861" data-end="4959">Justify or refute this remark by Graham Hough, illustrating from the poems you have read. <strong data-start="4951" data-end="4959">(20)</strong></p>
<h3 data-section-id="1xxfogd" data-start="4961" data-end="4968"> </h3>
<h3 data-section-id="1xxfogd" data-start="4961" data-end="4968">Q.4</h3>
<p data-start="4969" data-end="5136">“Wordsworth’s Philosophy of Nature is nothing more than a case of pathetic fallacy because he cannot shake off his egocentricity even when he tends to be philosophic.”</p>
<p data-start="5138" data-end="5155">Comment. <strong data-start="5147" data-end="5155">(20)</strong></p>
<h3 data-section-id="1xxfogc" data-start="5157" data-end="5164"> </h3>
<h3 data-section-id="1xxfogc" data-start="5157" data-end="5164">Q.5</h3>
<p data-start="5165" data-end="5293">Keats has been called “a mystic through the medium of the senses”. Examine the statement in relation to his major odes. <strong data-start="5285" data-end="5293">(20)</strong></p>
<p data-start="5165" data-end="5293"> </p>
<h2 style="text-align: center" data-section-id="1iyd273" data-start="5295" data-end="5310"><span style="font-size: 14pt">SECTION – II</span></h2>
<h3 data-section-id="1xxfogf" data-start="5312" data-end="5319">Q.6</h3>
<p data-start="5320" data-end="5463">Hardy is neither an optimist nor a pessimist. He is essentially a meliorist. Discuss in relation to Hardy’s novels that you have read. <strong data-start="5455" data-end="5463">(20)</strong></p>
<h3 data-section-id="1xxfoge" data-start="5465" data-end="5472"> </h3>
<h3 data-section-id="1xxfoge" data-start="5465" data-end="5472">Q.7</h3>
<p data-start="5473" data-end="5617">Charles Lamb’s essays are called “Lyric Poems in Prose”. Give your own comments on this statement referring to <em data-start="5584" data-end="5607">Lamb’s Essays of Elia</em>. <strong data-start="5609" data-end="5617">(20)</strong></p>
<h3 data-section-id="1xxfog1" data-start="5619" data-end="5626"> </h3>
<h3 data-section-id="1xxfog1" data-start="5619" data-end="5626">Q.8</h3>
<p data-start="5627" data-end="5811">Write a detailed critical note on Browning’s Dramatic Monologue with special reference to <em data-start="5717" data-end="5741">The Last Ride Together</em> and <em data-start="5746" data-end="5763">My Last Duchess</em>. <strong data-start="5765" data-end="5773">(20)</strong> <span class="contents" data-content-reference-start="5714" data-content-reference-end="5731"><span class="" data-state="closed"></span></span></p>
<hr data-start="5813" data-end="5816" />
<p style="text-align: center"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong><br /><strong>COMPETITIVE EXAMINATION FOR</strong><br /><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong><br /><strong>THE FEDERAL GOVERNMENT, 2009</strong></p>
<p style="text-align: center"><br /><span style="font-size: 14pt"><strong>ENGLISH LITERATURE, PAPER-</strong></span><strong><span style="font-size: 14pt">II</span></strong></p>
<div class="PDq2pG_selectionAnchorContainer" style="text-align: center" data-section-id="1flodau" data-start="578" data-end="595"><strong><span style="font-size: 14pt">PART – I (MCQ)<span class="PDq2pG_selectionAnchor" aria-hidden="true"></span></span></strong></div>
<div style="text-align: center" data-start="597" data-end="613"><strong><span style="font-size: 14pt">(COMPULSORY)</span></strong></div>
<h3 data-section-id="1xxfog8" data-start="6162" data-end="6169">Q.1</h3>
<p data-start="6170" data-end="6261">Select the best option/answer and fill in the appropriate box on the Answer Sheet. <strong data-start="6253" data-end="6261">(20)</strong></p>
<p data-start="6263" data-end="6373"> </p>
<p data-start="6263" data-end="6373"><strong data-start="6263" data-end="6270">(i)</strong> In Shakespeare’s Tragedies Character is not Destiny but there is Character and Destiny is a remark by:</p>
<p data-start="6375" data-end="6449">(a) Nicoll<br data-start="6385" data-end="6388" />(b) Goddord<br data-start="6399" data-end="6402" />(c) Bradley<br data-start="6413" data-end="6416" />(d) Coleridge<br data-start="6429" data-end="6432" />(e) None of these</p>
<p data-start="6451" data-end="6592"><strong data-start="6451" data-end="6459">(ii)</strong> “How came he dead? I shall not be juggled with: To hell allegiance! Vows, to the blackest devil!” is a speech in <em data-start="6573" data-end="6581">Hamlet</em> spoken by:</p>
<p data-start="6594" data-end="6668">(a) Hamlet<br data-start="6604" data-end="6607" />(b) Laertes<br data-start="6618" data-end="6621" />(c) Polonius<br data-start="6633" data-end="6636" />(d) Claudius<br data-start="6648" data-end="6651" />(e) None of these</p>
<p data-start="6670" data-end="6716"><strong data-start="6670" data-end="6679">(iii)</strong> <em data-start="6680" data-end="6701">Aspect of the Novel</em> is written by:</p>
<p data-start="6718" data-end="6811">(a) David Cecil<br data-start="6733" data-end="6736" />(b) Walter Allen<br data-start="6752" data-end="6755" />(c) Arnold Kettle<br data-start="6772" data-end="6775" />(d) E.M. Forster<br data-start="6791" data-end="6794" />(e) None of these</p>
<p data-start="6813" data-end="6850"><strong data-start="6813" data-end="6821">(iv)</strong> <em data-start="6822" data-end="6836">Lotos Eaters</em> is a poem by:</p>
<p data-start="6852" data-end="6923">(a) Browning<br data-start="6864" data-end="6867" />(b) Tennyson<br data-start="6879" data-end="6882" />(c) Yeats<br data-start="6891" data-end="6894" />(d) Frost<br data-start="6903" data-end="6906" />(e) None of these</p>
<p data-start="6925" data-end="6964"><strong data-start="6925" data-end="6932">(v)</strong> <em data-start="6933" data-end="6949">The Hollow Men</em> is written by:</p>
<p data-start="6966" data-end="7042">(a) T.S. Eliot<br data-start="6980" data-end="6983" />(b) Ezra Pound<br data-start="6997" data-end="7000" />(c) Yeats<br data-start="7009" data-end="7012" />(d) Larkin<br data-start="7022" data-end="7025" />(e) None of these</p>
<p data-start="7044" data-end="7112"><strong data-start="7044" data-end="7052">(vi)</strong> William Faulkner was awarded Nobel Prize for literature in:</p>
<p data-start="7114" data-end="7175">(a) 1949<br data-start="7122" data-end="7125" />(b) 1950<br data-start="7133" data-end="7136" />(c) 1951<br data-start="7144" data-end="7147" />(d) 1953<br data-start="7155" data-end="7158" />(e) None of these</p>
<p data-start="7177" data-end="7239"><strong data-start="7177" data-end="7186">(vii)</strong> G.B. Shaw was awarded Nobel Prize for literature in:</p>
<p data-start="7241" data-end="7302">(a) 1925<br data-start="7249" data-end="7252" />(b) 1929<br data-start="7260" data-end="7263" />(c) 1930<br data-start="7271" data-end="7274" />(d) 1949<br data-start="7282" data-end="7285" />(e) None of these</p>
<p data-start="7304" data-end="7349"><strong data-start="7304" data-end="7314">(viii)</strong> <em data-start="7315" data-end="7334">The Winding Stair</em> is written by:</p>
<p data-start="7351" data-end="7436">(a) Ted Hughes<br data-start="7365" data-end="7368" />(b) T.S. Eliot<br data-start="7382" data-end="7385" />(c) W.B. Yeats<br data-start="7399" data-end="7402" />(d) W.H. Auden<br data-start="7416" data-end="7419" />(e) None of these</p>
<p data-start="7438" data-end="7494"><strong data-start="7438" data-end="7446">(ix)</strong> <em data-start="7447" data-end="7472">Murder in the Cathedral</em> is a play written by:</p>
<p data-start="7496" data-end="7580">(a) Shakespeare<br data-start="7511" data-end="7514" />(b) Marlowe<br data-start="7525" data-end="7528" />(c) Oscar Wilde<br data-start="7543" data-end="7546" />(d) T.S. Eliot<br data-start="7560" data-end="7563" />(e) None of these</p>
<p data-start="7582" data-end="7626"><strong data-start="7582" data-end="7589">(x)</strong> <em data-start="7590" data-end="7603">The Rainbow</em> is a novel written by:</p>
<p data-start="7628" data-end="7721">(a) Hemingway<br data-start="7641" data-end="7644" />(b) Virginia Woolf<br data-start="7662" data-end="7665" />(c) E.M. Forster<br data-start="7681" data-end="7684" />(d) D.H. Lawrence<br data-start="7701" data-end="7704" />(e) None of these</p>
<p data-start="7723" data-end="7813"><strong data-start="7723" data-end="7731">(xi)</strong> The earliest play written by Shakespeare according to Oxford Shakespeare 1988 is:</p>
<p data-start="7815" data-end="7944">(a) <em data-start="7819" data-end="7844">The Taming of the Shrew</em><br data-start="7844" data-end="7847" />(b) <em data-start="7851" data-end="7867">As You Like It</em><br data-start="7867" data-end="7870" />(c) <em data-start="7874" data-end="7899">Two Gentlemen of Verona</em><br data-start="7899" data-end="7902" />(d) <em data-start="7906" data-end="7924">Titus Andronicus</em><br data-start="7924" data-end="7927" />(e) None of these</p>
<p data-start="7946" data-end="8084"><strong data-start="7946" data-end="7955">(xii)</strong> “If music be the food of love, play on, give me excess of it, that Surfeiting the appetite may sicken and die” is a speech from:</p>
<p data-start="8086" data-end="8247">(a) <em data-start="8090" data-end="8105">Twelfth Night</em><br data-start="8105" data-end="8108" />(b) <em data-start="8112" data-end="8140">A Mid Summer Nights’ Dream</em><br data-start="8140" data-end="8143" />(c) <em data-start="8147" data-end="8163">As You Like It</em><br data-start="8163" data-end="8166" />(d) <em data-start="8170" data-end="8189">The Winters’ Tale</em><br data-start="8189" data-end="8192" />(e) None of these <span class="contents" data-content-reference-start="8130" data-content-reference-end="8147"><span class="" data-state="closed"></span></span></p>
<p data-start="8466" data-end="8575"><strong data-start="8466" data-end="8476">(xiii)</strong> An elaborate classical form in which one Shepherd – Singer laments the death of another is called:</p>
<p data-start="8577" data-end="8662">(a) Pastoral Romance<br data-start="8597" data-end="8600" />(b) Pastoral Elegy<br data-start="8618" data-end="8621" />(c) Ballad<br data-start="8631" data-end="8634" />(d) Epic<br data-start="8642" data-end="8645" />(e) None of these</p>
<p data-start="8664" data-end="8755"><strong data-start="8664" data-end="8673">(xiv)</strong> The poets who believe that a hard, clear image was essential to verse are called:</p>
<p data-start="8757" data-end="8843">(a) Imaginists<br data-start="8771" data-end="8774" />(b) Romanticists<br data-start="8790" data-end="8793" />(c) Classicists<br data-start="8808" data-end="8811" />(d) Imagists<br data-start="8823" data-end="8826" />(e) None of these</p>
<p data-start="8845" data-end="8927"><strong data-start="8845" data-end="8853">(xv)</strong> A figure of speech which contains an exaggeration for emphasis is called:</p>
<p data-start="8929" data-end="9017">(a) Over tone<br data-start="8942" data-end="8945" />(b) Rhetoric<br data-start="8957" data-end="8960" />(c) Extended metaphor<br data-start="8981" data-end="8984" />(d) Hyperbole<br data-start="8997" data-end="9000" />(e) None of these</p>
<p data-start="9019" data-end="9114"><strong data-start="9019" data-end="9028">(xvi)</strong> Rhymed decasyllables, nearly always in iambic Pentameters rhymed in pairs are called:</p>
<p data-start="9116" data-end="9213">(a) Heroic Couplet<br data-start="9134" data-end="9137" />(b) Blank verse<br data-start="9152" data-end="9155" />(c) Terza Rima<br data-start="9169" data-end="9172" />(d) Spenserian stanza<br data-start="9193" data-end="9196" />(e) None of these</p>
<p data-start="9215" data-end="9311"><strong data-start="9215" data-end="9225">(xvii)</strong> An exhortatory speech, usually delivered to a crowd to incite them to some action is:</p>
<p data-start="9313" data-end="9392">(a) Declamation<br data-start="9328" data-end="9331" />(b) Sermon<br data-start="9341" data-end="9344" />(c) Monologue<br data-start="9357" data-end="9360" />(d) Harangue<br data-start="9372" data-end="9375" />(e) None of these</p>
<p data-start="9394" data-end="9462"><strong data-start="9394" data-end="9405">(xviii)</strong> “Hearing” a colour or “Seeing” a smell is an example of:</p>
<p data-start="9464" data-end="9549">(a) Oxymoron<br data-start="9476" data-end="9479" />(b) Synaesthesia<br data-start="9495" data-end="9498" />(c) Sensuousness<br data-start="9514" data-end="9517" />(d) Contrast<br data-start="9529" data-end="9532" />(e) None of these</p>
<p data-start="9551" data-end="9629"><strong data-start="9551" data-end="9560">(xix)</strong> Drama which seeks to mirror life with the utmost fidelity is called:</p>
<p data-start="9631" data-end="9731">(a) Realistic<br data-start="9644" data-end="9647" />(b) Naturalistic drama<br data-start="9669" data-end="9672" />(c) Humanistic drama<br data-start="9692" data-end="9695" />(d) Problem play<br data-start="9711" data-end="9714" />(e) None of these</p>
<p data-start="9733" data-end="9829"><strong data-start="9733" data-end="9741">(xx)</strong> When Leontes discovers the identity of Perdita in <em data-start="9792" data-end="9811">The Winter’s Tale</em> is an example of:</p>
<p data-start="9831" data-end="9949">(a) Peripety<br data-start="9843" data-end="9846" />(b) Suspense<br data-start="9858" data-end="9861" />(c) Revelation<br data-start="9875" data-end="9878" />(d) Discovery<br data-start="9891" data-end="9894" />(e) None of these <span class="contents" data-content-reference-start="9812" data-content-reference-end="9829"><span class="" data-state="closed"></span></span></p>
<h1 style="text-align: center" data-section-id="1j7xe0y" data-start="4025" data-end="4036"><span style="font-size: 14pt">PART – II</span></h1>
<h3 data-section-id="6z7jxo" data-start="9964" data-end="9973">NOTE:</h3>
<p data-start="9975" data-end="10050">(i) SECTION-I &amp; SECTION-II are to be attempted on the separate Answer Book.</p>
<p data-start="10052" data-end="10156">(ii) Attempt <strong data-start="10065" data-end="10088">ONLY FOUR questions</strong>. Select <strong data-start="10097" data-end="10122">TWO from each SECTION</strong>. All questions carry EQUAL marks.</p>
<p data-start="10158" data-end="10255">(iii) Extra attempt of any question or any part of the attempted question will not be considered.</p>
<p data-start="10158" data-end="10255"> </p>
<h2 style="text-align: center" data-section-id="n6tzkm" data-start="4315" data-end="4329"><span style="font-size: 14pt">SECTION – I</span></h2>
<h3 data-section-id="1xxfogb" data-start="10273" data-end="10280">Q.2</h3>
<p data-start="10281" data-end="10364">“The time is out of joint! O cursed Sprite<br data-start="10323" data-end="10326" />That ever I was born to set it right.”</p>
<p data-start="10366" data-end="10403">Explain why Hamlet feels so. <strong data-start="10395" data-end="10403">(20)</strong></p>
<h3 data-section-id="1xxfoga" data-start="10405" data-end="10412"> </h3>
<h3 data-section-id="1xxfoga" data-start="10405" data-end="10412">Q.3</h3>
<p data-start="10413" data-end="10631">In Beckett’s play <em data-start="10431" data-end="10450">Waiting for Godot</em> the pattern for waiting is an ingenious combination of expectations and let downs, of uncertainty and of gradual run down without end. How far do you agree with this view? <strong data-start="10623" data-end="10631">(20)</strong></p>
<h3 data-section-id="1xxfogd" data-start="10633" data-end="10640"> </h3>
<h3 data-section-id="1xxfogd" data-start="10633" data-end="10640">Q.4</h3>
<p data-start="10641" data-end="10769">“Liza Doolittle transforms herself by Knocking Higgins off his god-like perch”. Do you agree? Substantiate your answer. <strong data-start="10761" data-end="10769">(20)</strong></p>
<h3 data-section-id="1xxfogc" data-start="10771" data-end="10778"> </h3>
<h3 data-section-id="1xxfogc" data-start="10771" data-end="10778">Q.5</h3>
<p data-start="10779" data-end="10938">“Gulliver himself is a touchstone, a standard, a reporting agent, but he is not a person”. Explain and discuss with reference to <em data-start="10908" data-end="10928">Gulliver’s Travels</em>. <strong data-start="10930" data-end="10938">(20)</strong></p>
<p data-start="10779" data-end="10938"> </p>
<h2 style="text-align: center" data-section-id="1iyd273" data-start="5295" data-end="5310"><span style="font-size: 14pt">SECTION – II</span></h2>
<h3 data-section-id="1xxfogf" data-start="10957" data-end="10964">Q.6</h3>
<p data-start="10965" data-end="11126">“Poem begin in delight and end in wisdom and deep understanding.” Discuss in the light of this Frost statement <em data-start="11076" data-end="11097">The Tuft of Flowers</em> and <em data-start="11102" data-end="11116">Mending Wall</em>. <strong data-start="11118" data-end="11126">(20)</strong></p>
<h3 data-section-id="1xxfoge" data-start="11128" data-end="11135"> </h3>
<h3 data-section-id="1xxfoge" data-start="11128" data-end="11135">Q.7</h3>
<p data-start="11136" data-end="11237">“Here is a limited world; but she interprets it with the penetrating insight of the creative artist”.</p>
<p data-start="11239" data-end="11324">Discuss this remark about Jane Austen in the light of <em data-start="11293" data-end="11314">Pride and Prejudice</em>. <strong data-start="11316" data-end="11324">(20)</strong></p>
<h3 data-section-id="1xxfog1" data-start="11326" data-end="11333"> </h3>
<h3 data-section-id="1xxfog1" data-start="11326" data-end="11333">Q.8</h3>
<p data-start="11334" data-end="11530">Stock says of <em data-start="11348" data-end="11367">The Second Coming</em> that in this poem Yeats sets his own age in the perspective of eternity and condenses a whole philosophy of history into it so that it has the force of Prophecy’.</p>
<p data-start="11532" data-end="11587" data-is-last-node="" data-is-only-node="">Discuss. <strong data-start="11541" data-end="11549">(20)</strong></p>
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