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									English Literature Past Papers 2013 - English Literature Past Papers				            </title>
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                        <title>English Literature Past Papers 2013</title>
                        <link>https://cssforum.net/english-literature-past-papers/english-literature-past-papers-2013/#post-81710</link>
                        <pubDate>Mon, 24 Aug 2026 08:04:52 +0000</pubDate>
                        <description><![CDATA[FEDERAL PUBLIC SERVICE COMMISSIONCOMPETITIVE EXAMINATION FORRECRUITMENT TO POSTS IN BPS-17 UNDERTHE FEDERAL GOVERNMENT, 2013
 
ENGLISH LITERATURE, PAPER-I
 
PART – I (MCQ)
(COMPULSORY)...]]></description>
                        <content:encoded><![CDATA[<div style="text-align: center"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong><br /><strong>COMPETITIVE EXAMINATION FOR</strong><br /><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong><br /><strong>THE FEDERAL GOVERNMENT, 2013</strong></div>
<div style="text-align: center"> </div>
<div style="text-align: center"><span style="font-size: 14pt"><strong>ENGLISH LITERATURE, PAPER-I</strong></span></div>
<div style="text-align: center" data-section-id="1flodau" data-start="578" data-end="595"> </div>
<div class="PDq2pG_selectionAnchorContainer" style="text-align: center" data-section-id="1flodau" data-start="578" data-end="595"><span style="font-size: 14pt"><strong>PART – I (MCQ)<span class="PDq2pG_selectionAnchor" aria-hidden="true"></span></strong></span></div>
<div style="text-align: center" data-start="597" data-end="613"><span style="font-size: 14pt"><strong>(COMPULSORY)</strong></span></div>
<div data-start="597" data-end="613"> </div>
<div data-start="597" data-end="613">
<h3 class="PDq2pG_selectionAnchorContainer" data-section-id="1xxfog8" data-start="591" data-end="598">Q.1</h3>
<p data-start="600" data-end="711">(i) Select the best option/answer and fill in the appropriate Circle on the OMR Answer Sheet. <strong data-start="694" data-end="711">(20 × 1 = 20)</strong></p>
<p data-start="713" data-end="795">(ii) Answers given anywhere, other than OMR Answer Sheet, shall not be considered.</p>
<h3 data-section-id="1hs04op" data-start="797" data-end="803">1.</h3>
<p data-start="804" data-end="841">The <strong data-start="808" data-end="829">“Lyrical Ballads”</strong> opens with:</p>
<p data-start="843" data-end="994">(a) <em data-start="847" data-end="892">Lines Written Few Miles Above Tintern Abbey</em><br data-start="892" data-end="895" />(b) <em data-start="899" data-end="908">Michael</em><br data-start="908" data-end="911" />(c) <em data-start="915" data-end="934">Dejection: An Ode</em><br data-start="934" data-end="937" />(d) <em data-start="941" data-end="970">Rime of the Ancient Mariner</em><br data-start="970" data-end="973" />(e) <em data-start="977" data-end="994">Immortality Ode</em></p>
<h3 data-section-id="1hs04ka" data-start="996" data-end="1002">2.</h3>
<p data-start="1003" data-end="1134">Besides the French Revolution one of the following events contributed greatly to the evolution of the Romantic Movement in Britain:</p>
<p data-start="1136" data-end="1287">(a) The American Revolution<br data-start="1163" data-end="1166" />(b) The Napoleonic Wars<br data-start="1189" data-end="1192" />(c) The Industrial Revolution<br data-start="1221" data-end="1224" />(d) The Peasants’ Revolt<br data-start="1248" data-end="1251" />(e) The defeat of the Spanish Armada</p>
<h3 data-section-id="1hs04mz" data-start="1289" data-end="1295">3.</h3>
<p data-start="1296" data-end="1375">William Blake’s <em data-start="1312" data-end="1331">‘Songs of ______’</em> counterbalance his <em data-start="1351" data-end="1374">‘Songs of Experience’</em>.</p>
<p data-start="1377" data-end="1447">(a) Love<br data-start="1385" data-end="1388" />(b) Childhood<br data-start="1401" data-end="1404" />(c) Past<br data-start="1412" data-end="1415" />(d) Inexperience<br data-start="1431" data-end="1434" />(e) Innocence</p>
<h3 data-section-id="1hs04ik" data-start="1449" data-end="1455">4.</h3>
<p data-start="1456" data-end="1493">Geraldine is a character of the poem:</p>
<p data-start="1495" data-end="1603">(a) <em data-start="1499" data-end="1510">Lucy Grey</em><br data-start="1510" data-end="1513" />(b) <em data-start="1517" data-end="1528">The Thorn</em><br data-start="1528" data-end="1531" />(c) <em data-start="1535" data-end="1547">Christabel</em><br data-start="1547" data-end="1550" />(d) <em data-start="1554" data-end="1573">Frost at Midnight</em><br data-start="1573" data-end="1576" />(e) <em data-start="1580" data-end="1603">The Last of the Flock</em></p>
<h3 data-section-id="1hs04l9" data-start="1605" data-end="1611">5.</h3>
<p data-start="1612" data-end="1683"><em data-start="1612" data-end="1626">‘Kubla Khan’</em> is a poem which reflects a strain in Coleridge’s poetry.</p>
<p data-start="1685" data-end="1771">(a) Intellectual<br data-start="1701" data-end="1704" />(b) Magical<br data-start="1715" data-end="1718" />(c) Melancholic<br data-start="1733" data-end="1736" />(d) Pessimistic<br data-start="1751" data-end="1754" />(e) Philosophical</p>
<h3 data-section-id="1hs04gu" data-start="1773" data-end="1779">6.</h3>
<p data-start="1780" data-end="1834">Keats’ poem <em data-start="1792" data-end="1804">‘Endymion’</em> is based on ______ mythology.</p>
<p data-start="1836" data-end="1902">(a) Greek<br data-start="1845" data-end="1848" />(b) Roman<br data-start="1857" data-end="1860" />(c) Celtic<br data-start="1870" data-end="1873" />(d) Scandinavian<br data-start="1889" data-end="1892" />(e) Indian</p>
<h3 data-section-id="1hs04jj" data-start="1904" data-end="1910">7.</h3>
<p data-start="1911" data-end="2026">Byron’s journey to Spain, Malta, Albania and Greece resulted in the production of the first two cantos of his poem:</p>
<p data-start="2028" data-end="2151">(a) <em data-start="2032" data-end="2038">Cain</em><br data-start="2038" data-end="2041" />(b) <em data-start="2045" data-end="2073">Childe Harold’s Pilgrimage</em><br data-start="2073" data-end="2076" />(c) <em data-start="2080" data-end="2090">Don Juan</em><br data-start="2090" data-end="2093" />(d) <em data-start="2097" data-end="2122">The Prisoner of Chillon</em><br data-start="2122" data-end="2125" />(e) <em data-start="2129" data-end="2151">The Siege of Corinth</em></p>
<h3 data-section-id="1hs04sw" data-start="2153" data-end="2159">8.</h3>
<p data-start="2160" data-end="2187">In <em data-start="2163" data-end="2175">‘Don Juan’</em> Byron used:</p>
<p data-start="2189" data-end="2268">(a) Blank verse<br data-start="2204" data-end="2207" />(b) Couplets<br data-start="2219" data-end="2222" />(c) Ottava rima<br data-start="2237" data-end="2240" />(d) Refrain<br data-start="2251" data-end="2254" />(e) Terza rima</p>
<h3 data-section-id="1hs04vl" data-start="2270" data-end="2276">9.</h3>
<p data-start="2277" data-end="2349">Shelley was expelled from Oxford University on the charge of being a(n):</p>
<p data-start="2351" data-end="2419">(a) Anarchist<br data-start="2364" data-end="2367" />(b) Atheist<br data-start="2378" data-end="2381" />(c) Communist<br data-start="2394" data-end="2397" />(d) Nazi<br data-start="2405" data-end="2408" />(e) Traitor</p>
<h3 data-section-id="1xxeysp" data-start="2421" data-end="2428">10.</h3>
<p data-start="2429" data-end="2492"><em data-start="2429" data-end="2440">‘Adonais’</em> was an elegy Shelley wrote in 1821 on the death of:</p>
<p data-start="2494" data-end="2588">(a) Keats<br data-start="2503" data-end="2506" />(b) Byron<br data-start="2515" data-end="2518" />(c) Arthur Hugh Clough<br data-start="2540" data-end="2543" />(d) Thomas Love Peacock<br data-start="2566" data-end="2569" />(e) William Hazlitt</p>
<h3 data-section-id="1xxeyq0" data-start="2590" data-end="2597">11.</h3>
<p data-start="2598" data-end="2655"><em data-start="2598" data-end="2639">‘Confessions of an English Opium-Eater’</em> was written by:</p>
<p data-start="2657" data-end="2758">(a) Charles Lamb<br data-start="2673" data-end="2676" />(b) John Ruskin<br data-start="2691" data-end="2694" />(c) Maria Edgeworth<br data-start="2713" data-end="2716" />(d) Thomas Carlyle<br data-start="2734" data-end="2737" />(e) Thomas De Quincey</p>
<h3 data-section-id="1xxeyqz" data-start="2760" data-end="2767">12.</h3>
<p data-start="2768" data-end="2851"><em data-start="2768" data-end="2776">‘Elia’</em> was the pseudonym used by Charles Lamb for getting his works published in:</p>
<p data-start="2853" data-end="2958">(a) <em data-start="2857" data-end="2874">London Magazine</em><br data-start="2874" data-end="2877" />(b) <em data-start="2881" data-end="2901">The New York Times</em><br data-start="2901" data-end="2904" />(c) <em data-start="2908" data-end="2920">The Mirror</em><br data-start="2920" data-end="2923" />(d) <em data-start="2927" data-end="2942">The Spectator</em><br data-start="2942" data-end="2945" />(e) <em data-start="2949" data-end="2958">The Sun</em></p>
<h3 data-section-id="1xxeyoa" data-start="2960" data-end="2967">13.</h3>
<p data-start="2968" data-end="3014">Tennyson created a medieval world in his poem:</p>
<p data-start="3016" data-end="3119">(a) <em data-start="3020" data-end="3033">In Memoriam</em><br data-start="3033" data-end="3036" />(b) <em data-start="3040" data-end="3061">The Lady of Shalott</em><br data-start="3061" data-end="3064" />(c) <em data-start="3068" data-end="3086">The Lotus Eaters</em><br data-start="3086" data-end="3089" />(d) <em data-start="3093" data-end="3103">Tithonus</em><br data-start="3103" data-end="3106" />(e) <em data-start="3110" data-end="3119">Ulysses</em></p>
<h3 data-section-id="1xxeyp9" data-start="3121" data-end="3128">14.</h3>
<p data-start="3129" data-end="3196">Arthur Hugh Clough became an inspiration for Matthew Arnold’s work:</p>
<p data-start="3198" data-end="3321">(a) <em data-start="3202" data-end="3219">The Buried Life</em><br data-start="3219" data-end="3222" />(b) <em data-start="3226" data-end="3239">Dover Beach</em><br data-start="3239" data-end="3242" />(c) <em data-start="3246" data-end="3267">Culture and Anarchy</em><br data-start="3267" data-end="3270" />(d) <em data-start="3274" data-end="3293">The Scholar Gypsy</em><br data-start="3293" data-end="3296" />(e) <em data-start="3300" data-end="3321">Essays on Criticism</em></p>
<h3 data-section-id="1xxeymk" data-start="3323" data-end="3330">15.</h3>
<p data-start="3331" data-end="3380">______ is an attack by Ruskin on the Philistines.</p>
<p data-start="3382" data-end="3516">(a) <em data-start="3386" data-end="3403">Modern Painters</em><br data-start="3403" data-end="3406" />(b) <em data-start="3410" data-end="3428">Stones of Venice</em><br data-start="3428" data-end="3431" />(c) <em data-start="3435" data-end="3461">The Crown of Wild Olives</em><br data-start="3461" data-end="3464" />(d) <em data-start="3468" data-end="3497">Seven Lamps of Architecture</em><br data-start="3497" data-end="3500" />(e) <em data-start="3504" data-end="3516">Praeterita</em></p>
<h3 data-section-id="1xxeynj" data-start="3518" data-end="3525">16.</h3>
<p data-start="3526" data-end="3589">Dickens’ first novel which focused on specific social ills was:</p>
<p data-start="3591" data-end="3719">(a) <em data-start="3595" data-end="3616">The Christmas Carol</em><br data-start="3616" data-end="3619" />(b) <em data-start="3623" data-end="3642">David Copperfield</em><br data-start="3642" data-end="3645" />(c) <em data-start="3649" data-end="3669">Great Expectations</em><br data-start="3669" data-end="3672" />(d) <em data-start="3676" data-end="3690">Oliver Twist</em><br data-start="3690" data-end="3693" />(e) <em data-start="3697" data-end="3719">A Tale of Two Cities</em></p>
<h3 data-section-id="1xxeyku" data-start="3721" data-end="3728">17.</h3>
<p data-start="3729" data-end="3804">George Eliot’s novels show her concern for the character’s ______ problems.</p>
<p data-start="3806" data-end="3875">(a) Economic<br data-start="3818" data-end="3821" />(b) Moral<br data-start="3830" data-end="3833" />(c) Religious<br data-start="3846" data-end="3849" />(d) Spiritual<br data-start="3862" data-end="3865" />(e) Social</p>
<h3 data-section-id="1xxeyzl" data-start="3877" data-end="3884">18.</h3>
<p data-start="3885" data-end="3930">Dickens’ novels combine ______ and melodrama.</p>
<p data-start="3932" data-end="4005">(a) Journalism<br data-start="3946" data-end="3949" />(b) Philosophy<br data-start="3963" data-end="3966" />(c) Satire<br data-start="3976" data-end="3979" />(d) Science<br data-start="3990" data-end="3993" />(e) Religion</p>
<h3 data-section-id="1xxeyww" data-start="4007" data-end="4014">19.</h3>
<p data-start="4015" data-end="4065">The first ______ which Charlotte Brontë wrote was:</p>
<p data-start="4067" data-end="4151">(a) <em data-start="4071" data-end="4078">Emily</em><br data-start="4078" data-end="4081" />(b) <em data-start="4085" data-end="4096">Jane Eyre</em><br data-start="4096" data-end="4099" />(c) <em data-start="4103" data-end="4112">Shirley</em><br data-start="4112" data-end="4115" />(d) <em data-start="4119" data-end="4134">The Professor</em><br data-start="4134" data-end="4137" />(e) <em data-start="4141" data-end="4151">Villette</em></p>
<h3 data-section-id="1xxeune" data-start="4153" data-end="4160">20.</h3>
<p data-start="4161" data-end="4212">Oscar Wilde’s novel published in 1891 was entitled:</p>
<p data-start="4214" data-end="4402">(a) <em data-start="4218" data-end="4246">The Picture of Dorian Gray</em><br data-start="4246" data-end="4249" />(b) <em data-start="4253" data-end="4286">The Importance of Being Earnest</em><br data-start="4286" data-end="4289" />(c) <em data-start="4293" data-end="4316">Lady Windermere’s Fan</em><br data-start="4316" data-end="4319" />(d) <em data-start="4323" data-end="4349">A Woman of No Importance</em><br data-start="4349" data-end="4352" />(e) <em data-start="4356" data-end="4364">Salome</em></p>
<p data-start="4214" data-end="4402"> </p>
<h1 style="text-align: center" data-section-id="1yvqorg" data-start="4409" data-end="4418"><span style="font-size: 14pt">PART-II</span></h1>
<h3 data-section-id="6z7jxo" data-start="4420" data-end="4429">NOTE:</h3>
<p data-start="4431" data-end="4490">(i) Part-II is to be attempted on the separate Answer Book.</p>
<p data-start="4492" data-end="4586">(ii) Candidate must write Q. No. in the Answer Book in accordance with Q. No. in the Q. Paper.</p>
<p data-start="4588" data-end="4721">(iii) Attempt <strong data-start="4602" data-end="4625">ONLY FOUR questions</strong> from PART-II by selecting <strong data-start="4652" data-end="4687">TWO questions from EACH SECTION</strong>. ALL questions carry EQUAL marks.</p>
<p data-start="4723" data-end="4819">(iv) Extra attempt of any question or any part of the attempted question will not be considered.</p>
<p data-start="4723" data-end="4819"> </p>
<h2 style="text-align: center" data-section-id="brfn28" data-start="4821" data-end="4833"><span style="font-size: 14pt">SECTION-A</span></h2>
<h3 data-section-id="1y0vvgk" data-start="4835" data-end="4847">Q. No. 2</h3>
<p data-start="4849" data-end="4926">Does Wordsworth’s best poetry revolve around himself? Explain your arguments.</p>
<p data-start="4928" data-end="4936"><strong data-start="4928" data-end="4936">(20)</strong></p>
<h3 data-section-id="1y0vvgl" data-start="4938" data-end="4950"> </h3>
<h3 data-section-id="1y0vvgl" data-start="4938" data-end="4950">Q. No. 3</h3>
<p data-start="4952" data-end="4979">According to David Daiches:</p>
<p data-start="4952" data-end="4979">“The (Romantic) poet is on his own, drawing nourishment from his solitary readings and imaginings. This means that each poem must create its own world and present it persuasively to the reader.”</p>
<p data-start="5179" data-end="5228">Analyse Keats’ poems in the light of this remark.</p>
<p data-start="5230" data-end="5238"><strong data-start="5230" data-end="5238">(20)</strong></p>
<h3 data-section-id="1y0vvgi" data-start="5240" data-end="5252"> </h3>
<h3 data-section-id="1y0vvgi" data-start="5240" data-end="5252">Q. No. 4</h3>
<p data-start="5254" data-end="5304">How do Lamb’s essays reflect his being a Londoner?</p>
<p data-start="5306" data-end="5314"><strong data-start="5306" data-end="5314">(20)</strong></p>
<p data-start="5306" data-end="5314"> </p>
<h2 style="text-align: center" data-section-id="brfn2b" data-start="5316" data-end="5328"><span style="font-size: 14pt">SECTION-B</span></h2>
<h3 data-section-id="1y0vvgj" data-start="5330" data-end="5342">Q. No. 5</h3>
<p data-start="5344" data-end="5469">Why do you think Matthew Arnold needed to launch a campaign against the materialism and philistinism of his contemporary age?</p>
<p data-start="5471" data-end="5479"><strong data-start="5471" data-end="5479">(20)</strong></p>
<h3 data-section-id="1y0vvgg" data-start="5481" data-end="5493"> </h3>
<h3 data-section-id="1y0vvgg" data-start="5481" data-end="5493">Q. No. 6</h3>
<p data-start="5495" data-end="5522">In Mair and Ward’s opinion:</p>
<p data-start="5495" data-end="5522">“The Victorian Age added humanity to nature and art as subject matter of literature.”</p>
<p data-start="5613" data-end="5663">Is this principle applicable to Browning’s poetry?</p>
<p data-start="5665" data-end="5673"><strong data-start="5665" data-end="5673">(20)</strong></p>
<h3 data-section-id="1y0vvgh" data-start="5675" data-end="5687"> </h3>
<h3 data-section-id="1y0vvgh" data-start="5675" data-end="5687">Q. No. 7</h3>
<p data-start="5689" data-end="5855">Dickens’ fictional works indicate his having a “greater sense of life and little sense of form”. Do you agree with this idea? If so or if not, explain your arguments.</p>
<p data-start="5857" data-end="5865"><strong data-start="5857" data-end="5865">(20)</strong></p>
<h3 data-section-id="1y0vvgu" data-start="5867" data-end="5879"> </h3>
<h3 data-section-id="1y0vvgu" data-start="5867" data-end="5879">Q. No. 8</h3>
<p data-start="5881" data-end="6021">Why do you think Thomas Hardy selected the characters for his novels from the English peasantry of his contemporary age? Explain your ideas.</p>
<p data-start="6023" data-end="6069"><strong data-start="6023" data-end="6031">(20)</strong></p>
<hr data-start="6071" data-end="6074" />
<div style="text-align: center"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong><br /><strong>COMPETITIVE EXAMINATION FOR</strong><br /><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong><br /><strong>THE FEDERAL GOVERNMENT, 2013</strong></div>
<div style="text-align: center"> </div>
<div style="text-align: center"><span style="font-size: 14pt"><strong>ENGLISH LITERATURE, PAPER-II</strong></span></div>
<div style="text-align: center" data-section-id="1flodau" data-start="578" data-end="595"> </div>
<div class="PDq2pG_selectionAnchorContainer" style="text-align: center" data-section-id="1flodau" data-start="578" data-end="595"><span style="font-size: 14pt"><strong>PART – I (MCQ)</strong></span></div>
<div style="text-align: center" data-start="597" data-end="613"><span style="font-size: 14pt"><strong>(COMPULSORY)</strong></span></div>
<div data-start="597" data-end="613"> </div>
<h3 data-section-id="6z7jxo" data-start="6452" data-end="6461">NOTE:</h3>
<p data-start="6463" data-end="6567">(i) First attempt PART-I (MCQs) on separate OMR Answer Sheet which shall be taken back after 30 minutes.</p>
<p data-start="6569" data-end="6642">(ii) Overwriting/cutting of the options/answers will not be given credit.</p>
<h3 data-section-id="1xxfog8" data-start="6644" data-end="6651"> </h3>
<h3 data-section-id="1xxfog8" data-start="6644" data-end="6651">Q.1</h3>
<p data-start="6653" data-end="6764">(i) Select the best option/answer and fill in the appropriate Circle on the OMR Answer Sheet. <strong data-start="6747" data-end="6764">(20 × 1 = 20)</strong></p>
<p data-start="6766" data-end="6848">(ii) Answers given anywhere, other than OMR Answer Sheet, shall not be considered.</p>
<h3 data-section-id="1hs04op" data-start="6850" data-end="6856"> </h3>
<h3 data-section-id="1hs04op" data-start="6850" data-end="6856">1.</h3>
<p data-start="6857" data-end="6903">Which novel is <strong data-start="6872" data-end="6879">not</strong> written by Jane Austen?</p>
<p data-start="6905" data-end="6996">(a) <em data-start="6909" data-end="6915">Emma</em><br data-start="6915" data-end="6918" />(b) <em data-start="6922" data-end="6934">The Chimes</em><br data-start="6934" data-end="6937" />(c) <em data-start="6941" data-end="6953">Persuasion</em><br data-start="6953" data-end="6956" />(d) <em data-start="6960" data-end="6976">Mansfield Park</em><br data-start="6976" data-end="6979" />(e) None of these</p>
<h3 data-section-id="1hs04ka" data-start="6998" data-end="7004">2.</h3>
<p data-start="7005" data-end="7026">Shaw wrote more than:</p>
<p data-start="7028" data-end="7105">(a) 30 plays<br data-start="7040" data-end="7043" />(b) 40 plays<br data-start="7055" data-end="7058" />(c) 50 plays<br data-start="7070" data-end="7073" />(d) 60 plays<br data-start="7085" data-end="7088" />(e) None of these</p>
<h3 data-section-id="1hs04mz" data-start="7107" data-end="7113">3.</h3>
<p data-start="7114" data-end="7138">Shaw died at the age of:</p>
<p data-start="7140" data-end="7194">(a) 75<br data-start="7146" data-end="7149" />(b) 85<br data-start="7155" data-end="7158" />(c) 95<br data-start="7164" data-end="7167" />(d) 105<br data-start="7174" data-end="7177" />(e) None of these</p>
<h3 data-section-id="1hs04ik" data-start="7196" data-end="7202">4.</h3>
<p data-start="7203" data-end="7243">Jack Worthing is a character created by:</p>
<p data-start="7245" data-end="7314">(a) Shaw<br data-start="7253" data-end="7256" />(b) Dickens<br data-start="7267" data-end="7270" />(c) Browning<br data-start="7282" data-end="7285" />(d) Hardy<br data-start="7294" data-end="7297" />(e) None of these</p>
<h3 data-section-id="1hs04l9" data-start="7316" data-end="7322">5.</h3>
<p data-start="7323" data-end="7340"><em data-start="7323" data-end="7334">Adam Bede</em> is a:</p>
<p data-start="7342" data-end="7411">(a) Play<br data-start="7350" data-end="7353" />(b) Novel<br data-start="7362" data-end="7365" />(c) Short Story<br data-start="7380" data-end="7383" />(d) Poem<br data-start="7391" data-end="7394" />(e) None of these</p>
<h3 data-section-id="1hs04gu" data-start="7413" data-end="7419">6.</h3>
<p data-start="7420" data-end="7467">Dickens sprang to fame with the publication of:</p>
<p data-start="7469" data-end="7582">(a) <em data-start="7473" data-end="7485">Hard Times</em><br data-start="7485" data-end="7488" />(b) <em data-start="7492" data-end="7511">David Copperfield</em><br data-start="7511" data-end="7514" />(c) <em data-start="7518" data-end="7535">Pickwick Papers</em><br data-start="7535" data-end="7538" />(d) <em data-start="7542" data-end="7562">Great Expectations</em><br data-start="7562" data-end="7565" />(e) None of these</p>
<h3 data-section-id="1hs04jj" data-start="7584" data-end="7590">7.</h3>
<p data-start="7591" data-end="7636">Who served as an Irish senator for two terms?</p>
<p data-start="7638" data-end="7702">(a) Wilde<br data-start="7647" data-end="7650" />(b) Shaw<br data-start="7658" data-end="7661" />(c) Ibsen<br data-start="7670" data-end="7673" />(d) Yeats<br data-start="7682" data-end="7685" />(e) None of these</p>
<h3 data-section-id="1hs04sw" data-start="7704" data-end="7710">8.</h3>
<p data-start="7711" data-end="7752"><em data-start="7711" data-end="7737">John Bull’s Other Island</em> is written by:</p>
<p data-start="7754" data-end="7824">(a) Shaw<br data-start="7762" data-end="7765" />(b) Wilde<br data-start="7774" data-end="7777" />(c) Hemingway<br data-start="7790" data-end="7793" />(d) Beckett<br data-start="7804" data-end="7807" />(e) None of these</p>
<h3 data-section-id="1hs04vl" data-start="7826" data-end="7832">9.</h3>
<p data-start="7833" data-end="7872">Lilliputians symbolise excessive human:</p>
<p data-start="7874" data-end="7945">(a) Jealousy<br data-start="7886" data-end="7889" />(b) Confidence<br data-start="7903" data-end="7906" />(c) Pride<br data-start="7915" data-end="7918" />(d) Ego<br data-start="7925" data-end="7928" />(e) None of these</p>
<h3 data-section-id="1xxeysp" data-start="7947" data-end="7954">10.</h3>
<p data-start="7955" data-end="8003">Houyhnhnms represent life governed by sense and:</p>
<p data-start="8005" data-end="8091">(a) Moderation<br data-start="8019" data-end="8022" />(b) Patience<br data-start="8034" data-end="8037" />(c) Understanding<br data-start="8054" data-end="8057" />(d) Compromise<br data-start="8071" data-end="8074" />(e) None of these</p>
<h3 data-section-id="1xxeyq0" data-start="8093" data-end="8100">11.</h3>
<p data-start="8101" data-end="8140">Cordelia’s chief characteristic is her:</p>
<p data-start="8142" data-end="8217">(a) Beauty<br data-start="8152" data-end="8155" />(b) Devotion<br data-start="8167" data-end="8170" />(c) Sympathy<br data-start="8182" data-end="8185" />(d) Kindness<br data-start="8197" data-end="8200" />(e) None of these</p>
<h3 data-section-id="1xxeyqz" data-start="8219" data-end="8226">12.</h3>
<p data-start="8227" data-end="8259">Henry Higgins is a character in:</p>
<p data-start="8261" data-end="8353">(a) <em data-start="8265" data-end="8276">Pygmalion</em><br data-start="8276" data-end="8279" />(b) <em data-start="8283" data-end="8295">Saint Joan</em><br data-start="8295" data-end="8298" />(c) <em data-start="8302" data-end="8317">Major Barbara</em><br data-start="8317" data-end="8320" />(d) <em data-start="8324" data-end="8333">Candida</em><br data-start="8333" data-end="8336" />(e) None of these</p>
<h3 data-section-id="1xxeyoa" data-start="8355" data-end="8362">13.</h3>
<p data-start="8363" data-end="8402">Eliot worked for Faber and Faber as an:</p>
<p data-start="8404" data-end="8478">(a) Assistant<br data-start="8417" data-end="8420" />(b) Director<br data-start="8432" data-end="8435" />(c) Writer<br data-start="8445" data-end="8448" />(d) Editor<br data-start="8458" data-end="8461" />(e) None of these</p>
<h3 data-section-id="1xxeyp9" data-start="8480" data-end="8487">14.</h3>
<p data-start="8488" data-end="8533">Wordsworth was appointed as Poet Laureate in:</p>
<p data-start="8535" data-end="8596">(a) 1843<br data-start="8543" data-end="8546" />(b) 1844<br data-start="8554" data-end="8557" />(c) 1845<br data-start="8565" data-end="8568" />(d) 1846<br data-start="8576" data-end="8579" />(e) None of these</p>
<h3 data-section-id="1xxeymk" data-start="8598" data-end="8605">15.</h3>
<p data-start="8606" data-end="8635">Hemingway was a great fan of:</p>
<p data-start="8637" data-end="8713">(a) Cricket<br data-start="8648" data-end="8651" />(b) Baseball<br data-start="8663" data-end="8666" />(c) Softball<br data-start="8678" data-end="8681" />(d) Football<br data-start="8693" data-end="8696" />(e) None of these</p>
<h3 data-section-id="1xxeynj" data-start="8715" data-end="8722">16.</h3>
<p data-start="8723" data-end="8747"><em data-start="8723" data-end="8741">Jude the Obscure</em> is a:</p>
<p data-start="8749" data-end="8831">(a) Comedy<br data-start="8759" data-end="8762" />(b) Tragedy<br data-start="8773" data-end="8776" />(c) Tragi-Comedy<br data-start="8792" data-end="8795" />(d) Black Comedy<br data-start="8811" data-end="8814" />(e) None of these</p>
<h3 data-section-id="1xxeyku" data-start="8833" data-end="8840">17.</h3>
<p data-start="8841" data-end="8865">Eliot was influenced by:</p>
<p data-start="8867" data-end="8936">(a) Ezra Pound<br data-start="8881" data-end="8884" />(b) Shaw<br data-start="8892" data-end="8895" />(c) Hardy<br data-start="8904" data-end="8907" />(d) Wilde<br data-start="8916" data-end="8919" />(e) None of these</p>
<h3 data-section-id="1xxeyzl" data-start="8938" data-end="8945">18.</h3>
<p data-start="8946" data-end="9033">Who became the Poet Laureate of England and Ireland during the reign of Queen Victoria?</p>
<p data-start="9035" data-end="9109">(a) Tennyson<br data-start="9047" data-end="9050" />(b) Browning<br data-start="9062" data-end="9065" />(c) Hardy<br data-start="9074" data-end="9077" />(d) Lawrence<br data-start="9089" data-end="9092" />(e) None of these</p>
<h3 data-section-id="1xxeyww" data-start="9111" data-end="9118">19.</h3>
<p data-start="9119" data-end="9146">Hemingway also worked as a:</p>
<p data-start="9148" data-end="9222">(a) Carpenter<br data-start="9161" data-end="9164" />(b) Painter<br data-start="9175" data-end="9178" />(c) Surgeon<br data-start="9189" data-end="9192" />(d) Driver<br data-start="9202" data-end="9205" />(e) None of these</p>
<h3 data-section-id="1xxeune" data-start="9224" data-end="9231">20.</h3>
<p data-start="9232" data-end="9271"><em data-start="9232" data-end="9256">Tales from Shakespeare</em> is written by:</p>
<p data-start="9273" data-end="9394">(a) Shakespeare<br data-start="9288" data-end="9291" />(b) Lamb<br data-start="9299" data-end="9302" />(c) Lawrence<br data-start="9314" data-end="9317" />(d) Mary Anne Evans<br data-start="9336" data-end="9339" />(e) None of these</p>
<h1 data-section-id="1yvqorg" data-start="9401" data-end="9410"> </h1>
<h1 style="text-align: center" data-section-id="1yvqorg" data-start="4409" data-end="4418"><span style="font-size: 14pt">PART-II</span></h1>
<h3 data-section-id="6z7jxo" data-start="9412" data-end="9421">NOTE:</h3>
<p data-start="9423" data-end="9482">(i) Part-II is to be attempted on the separate Answer Book.</p>
<p data-start="9484" data-end="9578">(ii) Candidate must write Q. No. in the Answer Book in accordance with Q. No. in the Q. Paper.</p>
<p data-start="9580" data-end="9711">(iii) Attempt <strong data-start="9594" data-end="9617">ONLY FOUR questions</strong> from PART-II, selecting <strong data-start="9642" data-end="9677">TWO questions from EACH SECTION</strong>. ALL questions carry EQUAL marks.</p>
<p data-start="9713" data-end="9809">(iv) Extra attempt of any question or any part of the attempted question will not be considered.</p>
<p data-start="9713" data-end="9809"> </p>
<h2 style="text-align: center" data-section-id="brfn28" data-start="4821" data-end="4833"><span style="font-size: 14pt">SECTION-A</span></h2>
<h3 data-section-id="1y0vvgk" data-start="9825" data-end="9837">Q. No. 2</h3>
<p data-start="9839" data-end="10105">Shakespeare includes characters in <em data-start="9874" data-end="9882">Hamlet</em> who are obvious foils for Hamlet, including, most obviously, Horatio, Fortinbras, Claudius and Laertes. Compare and contrast Hamlet with each of these characters. How does each respond to the crises with which he is faced?</p>
<p data-start="10107" data-end="10115"><strong data-start="10107" data-end="10115">(20)</strong></p>
<h3 data-section-id="1y0vvgl" data-start="10117" data-end="10129"> </h3>
<h3 data-section-id="1y0vvgl" data-start="10117" data-end="10129">Q. No. 3</h3>
<p data-start="10131" data-end="10385"><em data-start="10131" data-end="10151">Gulliver’s Travels</em> could in fact be described as one of the first novels of modern alienation, focusing on an individual’s repeated failures to integrate into societies to which he does not belong. Present your viewpoint backed by supporting arguments.</p>
<p data-start="10387" data-end="10395"><strong data-start="10387" data-end="10395">(20)</strong></p>
<h3 data-section-id="1y0vvgi" data-start="10397" data-end="10409"> </h3>
<h3 data-section-id="1y0vvgi" data-start="10397" data-end="10409">Q. No. 4</h3>
<p data-start="10411" data-end="10642">Though Jane Austen satirizes snobs in her novels, some critics have accused her of being a snob herself. Giving special consideration to Mrs. Bennet and Mr. Collins in <em data-start="10579" data-end="10600">Pride and Prejudice</em>, argue and defend one side of this issue.</p>
<p data-start="10644" data-end="10652"><strong data-start="10644" data-end="10652">(20)</strong></p>
<h3 data-section-id="1y0vvgj" data-start="10654" data-end="10666"> </h3>
<h3 data-section-id="1y0vvgj" data-start="10654" data-end="10666">Q. No. 5</h3>
<p data-start="10668" data-end="10952">Because of its stunning, violent imagery and terrifying ritualistic language, <strong data-start="10746" data-end="10769">“The Second Coming”</strong> is one of Yeats’ most famous and most anthologized poems; it is also one of the most thematically obscure and difficult poems to understand. Elaborate with relevant textual evidence.</p>
<p data-start="10954" data-end="10962"><strong data-start="10954" data-end="10962">(20)</strong></p>
<h2 style="text-align: center" data-section-id="brfn28" data-start="4821" data-end="4833"><span style="font-size: 14pt">SECTION-B</span></h2>
<h3 data-section-id="1y0vvgg" data-start="10978" data-end="10990">Q. No. 6</h3>
<p data-start="10992" data-end="11235"><em data-start="10992" data-end="11008">The Waste Land</em> is full of sounds, onomatopoeia: from “jug jug jug” to “drip drop” to “twit twit” to “co co rico.” What is the significance of this technique for the poem as a whole? Analyze each of the moments in which such language appears.</p>
<p data-start="11237" data-end="11245"><strong data-start="11237" data-end="11245">(20)</strong></p>
<h3 data-section-id="1y0vvgh" data-start="11247" data-end="11259"> </h3>
<h3 data-section-id="1y0vvgh" data-start="11247" data-end="11259">Q. No. 7</h3>
<p data-start="11261" data-end="11488">Both Santiago and the Marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. How does Ernest Hemingway present this battle in <em data-start="11462" data-end="11487">The Old Man and the Sea</em>?</p>
<p data-start="11490" data-end="11498"><strong data-start="11490" data-end="11498">(20)</strong></p>
<h3 data-section-id="1y0vvgu" data-start="11500" data-end="11512"> </h3>
<h3 data-section-id="1y0vvgu" data-start="11500" data-end="11512">Q. No. 8</h3>
<p data-start="11514" data-end="11878">Though it seems as if nothing happens in the play, actions actually play a very important role in <em data-start="11612" data-end="11631">Waiting for Godot</em>. The stage directions of the play constitute nearly half of the text, suggesting that the actions, expressions, and emotions of the actors are as important as the dialogue. Examine the significance of the stage directions given by Samuel Beckett.</p>
<p data-start="11880" data-end="11926"><strong data-start="11880" data-end="11888">(20)</strong></p>
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