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									English Literature Past Papers 2015 - English Literature Past Papers				            </title>
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                        <title>English Literature Past Papers 2015</title>
                        <link>https://cssforum.net/english-literature-past-papers/english-literature-past-papers-2015/#post-81715</link>
                        <pubDate>Mon, 24 Aug 2026 08:16:54 +0000</pubDate>
                        <description><![CDATA[FEDERAL PUBLIC SERVICE COMMISSIONCOMPETITIVE EXAMINATION FORRECRUITMENT TO POSTS IN BPS-17 UNDERTHE FEDERAL GOVERNMENT, 2015
 
ENGLISH LITERATURE, PAPER-I

PART-II
SECTION-A

Q. No. 2...]]></description>
                        <content:encoded><![CDATA[<div style="text-align: center"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong><br /><strong>COMPETITIVE EXAMINATION FOR</strong><br /><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong><br /><strong>THE FEDERAL GOVERNMENT, 2015</strong></div>
<div style="text-align: center"> </div>
<div style="text-align: center"><span style="font-size: 14pt"><strong>ENGLISH LITERATURE, PAPER-I</strong></span></div>
<div data-start="597" data-end="613">
<h1 class="PDq2pG_selectionAnchorContainer" style="text-align: center" data-section-id="1yvqorg" data-start="730" data-end="739"><span style="font-size: 14pt">PART-II</span></h1>
<h2 style="text-align: center" data-section-id="brfn2g" data-start="741" data-end="753"><span style="font-size: 14pt">SECTION-A</span></h2>
</div>
<h3 class="PDq2pG_selectionAnchorContainer" data-section-id="1y0vvgk" data-start="1385" data-end="1397">Q. No. 2<span class="PDq2pG_selectionAnchor" aria-hidden="true"></span></h3>
<p data-start="1399" data-end="1538">Classicism stands for regimentation, regulation and authority while Romanticism stands for individuality, informality and freedom. Discuss.</p>
<p data-start="1540" data-end="1548"><strong data-start="1540" data-end="1548">(20)</strong></p>
<h3 data-section-id="1y0vvgl" data-start="1550" data-end="1562"> </h3>
<h3 data-section-id="1y0vvgl" data-start="1550" data-end="1562">Q. No. 3</h3>
<p data-start="1564" data-end="1654">Discuss <strong data-start="1572" data-end="1601">“The Crown of Wild Olive”</strong> as <strong data-start="1605" data-end="1654">“the aesthetic and social crusade of Ruskin.”</strong></p>
<p data-start="1656" data-end="1664"><strong data-start="1656" data-end="1664">(20)</strong></p>
<h3 data-section-id="1y0vvgi" data-start="1666" data-end="1678"> </h3>
<h3 data-section-id="1y0vvgi" data-start="1666" data-end="1678">Q. No. 4</h3>
<p data-start="1680" data-end="1731">Write a detailed note on <strong data-start="1705" data-end="1730">Sensuousness of Keats</strong>.</p>
<p data-start="1733" data-end="1741"><strong data-start="1733" data-end="1741">(20)</strong></p>
<h2 data-section-id="brfn2b" data-start="1743" data-end="1755"> </h2>
<h2 style="text-align: center" data-section-id="brfn2g" data-start="741" data-end="753"><span style="font-size: 14pt">SECTION-B</span></h2>
<h3 data-section-id="1y0vvgj" data-start="1757" data-end="1769"> </h3>
<h3 data-section-id="1y0vvgj" data-start="1757" data-end="1769">Q. No. 5</h3>
<p data-start="1771" data-end="1877">The work of Robert Browning fully exemplifies one of the dominant tendencies of Victorian poetry. Comment.</p>
<p data-start="1879" data-end="1887"><strong data-start="1879" data-end="1887">(20)</strong></p>
<h3 data-section-id="1y0vvgg" data-start="1889" data-end="1901">Q. No. 6</h3>
<p data-start="1903" data-end="2058">The construction of George Eliot’s novels, the substance of her analyses, and much of her imagery, recall the scientific schooling of her thought. Discuss.</p>
<p data-start="2060" data-end="2068"><strong data-start="2060" data-end="2068">(20)</strong></p>
<h3 data-section-id="1y0vvgh" data-start="2070" data-end="2082">Q. No. 7</h3>
<p data-start="2084" data-end="2303">“Everywhere in Hardy’s novels human beings appear to us crushed by a superior force; that of nature, at first, and of an indifferent, so most often a hostile chance; then, that of the errors implied in our own desires.”</p>
<p data-start="2305" data-end="2313">Comment.</p>
<p data-start="2315" data-end="2323"><strong data-start="2315" data-end="2323">(20)</strong></p>
<h3 data-section-id="1y0vvgu" data-start="2325" data-end="2337">Q. No. 8</h3>
<p data-start="2339" data-end="2465">Why is Ruskin’s work considered more robust and more broadly significant than that of his contemporaries, the Pre-Raphaelites?</p>
<p data-start="2467" data-end="2513"><strong data-start="2467" data-end="2475">(20)</strong> <span class="contents" data-content-reference-start="2436" data-content-reference-end="2453"><span class="" data-state="closed"></span></span></p>
<hr data-start="2515" data-end="2518" />
<div style="text-align: center"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong><br /><strong>COMPETITIVE EXAMINATION FOR</strong><br /><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong><br /><strong>THE FEDERAL GOVERNMENT, 2015</strong></div>
<div style="text-align: center"> </div>
<div style="text-align: center"><span style="font-size: 14pt"><strong>ENGLISH LITERATURE, PAPER-II</strong></span></div>
<div data-start="597" data-end="613">
<h1 class="PDq2pG_selectionAnchorContainer" style="text-align: center" data-section-id="1yvqorg" data-start="730" data-end="739"><span style="font-size: 14pt">PART-II</span></h1>
</div>
<h2 style="text-align: center" data-section-id="brfn2g" data-start="741" data-end="753"><span style="font-size: 14pt">SECTION-A</span></h2>
<h3 data-section-id="1y0vvgk" data-start="3549" data-end="3561">Q. No. 2</h3>
<p data-start="3563" data-end="3763">In Thomas Kyd’s play <strong data-start="3584" data-end="3609">‘The Spanish Tragedy’</strong>, the central character Hieronimo, the Marshal of Spain, pretends madness in order to implement his plan of revenge. Shakespeare makes Hamlet do the same.</p>
<p data-start="3765" data-end="3802">Is Hamlet as convincing as Hieronimo?</p>
<p data-start="3804" data-end="3812"><strong data-start="3804" data-end="3812">(20)</strong></p>
<h3 data-section-id="1y0vvgl" data-start="3814" data-end="3826"> </h3>
<h3 data-section-id="1y0vvgl" data-start="3814" data-end="3826">Q. No. 3</h3>
<p data-start="3828" data-end="3944">How does Shaw’s choice of the title <strong data-start="3864" data-end="3879">‘Pygmalion’</strong> justify his telling of the story of Higgins and Eliza Doolittle?</p>
<p data-start="3946" data-end="3954"><strong data-start="3946" data-end="3954">(20)</strong></p>
<h3 data-section-id="1y0vvgi" data-start="3956" data-end="3968"> </h3>
<h3 data-section-id="1y0vvgi" data-start="3956" data-end="3968">Q. No. 4</h3>
<p data-start="3970" data-end="4062">Why do you think Swift makes Gulliver visit the land of pygmies and then the land of giants?</p>
<p data-start="4064" data-end="4083">Explain your ideas.</p>
<p data-start="4085" data-end="4093"><strong data-start="4085" data-end="4093">(20)</strong></p>
<h3 data-section-id="1y0vvgj" data-start="4095" data-end="4107"> </h3>
<h3 data-section-id="1y0vvgj" data-start="4095" data-end="4107">Q. No. 5</h3>
<p data-start="4109" data-end="4224">In the novel <strong data-start="4122" data-end="4147">‘Pride and Prejudice’</strong>, Jane Austen makes both her central characters, Elizabeth and Darcy, travel.</p>
<p data-start="4226" data-end="4299">How do the journeys of these characters contribute to the novel? Explain.</p>
<p data-start="4301" data-end="4309"><strong data-start="4301" data-end="4309">(20)</strong></p>
<h2 style="text-align: center" data-section-id="brfn2g" data-start="741" data-end="753"><span style="font-size: 14pt">SECTION-B</span></h2>
<h3 data-section-id="1y0vvgg" data-start="4325" data-end="4337">Q. No. 6</h3>
<p data-start="4339" data-end="4431">Despite various influences on his poetry, Yeats all the time <strong data-start="4400" data-end="4430">‘Kept one foot in Ireland’</strong>.</p>
<p data-start="4433" data-end="4489">Justify this claim with reference to Yeats’ major poems.</p>
<p data-start="4491" data-end="4499"><strong data-start="4491" data-end="4499">(20)</strong></p>
<h3 data-section-id="1y0vvgh" data-start="4501" data-end="4513"> </h3>
<h3 data-section-id="1y0vvgh" data-start="4501" data-end="4513">Q. No. 7</h3>
<p data-start="4515" data-end="4609">Does T. S. Eliot’s poetry reflect the true spirit of the literary movement of <strong data-start="4593" data-end="4608">‘modernism’</strong>?</p>
<p data-start="4611" data-end="4634">Explain your arguments.</p>
<p data-start="4636" data-end="4644"><strong data-start="4636" data-end="4644">(20)</strong></p>
<h3 data-section-id="1y0vvgu" data-start="4646" data-end="4658"> </h3>
<h3 data-section-id="1y0vvgu" data-start="4646" data-end="4658">Q. No. 8</h3>
<p data-start="4660" data-end="4821">Paul Morel’s tragedy owes less to his mother’s intrusion in his amorous relationships and more to his own failure to reciprocate to the love of Miriam and Clara.</p>
<p data-start="4823" data-end="4848">Elaborate this statement.</p>
<p data-start="4850" data-end="4896"><strong data-start="4850" data-end="4858">(20)</strong> <span class="contents" data-content-reference-start="4779" data-content-reference-end="4796"><span class="" data-state="closed"></span></span></p>
<hr data-start="4898" data-end="4901" />
<p data-start="4903" data-end="5002" data-is-last-node="" data-is-only-node=""><strong><span style="font-size: 14pt"><a href="https://hostnezt.com/cssfiles/csspastpapers/englitretutre/English%20Literature%20-%202015.pdf" target="_blank" rel="noopener">DOWNLOAD NOW</a></span></strong></p>]]></content:encoded>
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