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									English Literature Past Papers 2024 - English Literature Past Papers				            </title>
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                        <title>English Literature Past Papers 2024</title>
                        <link>https://cssforum.net/english-literature-past-papers/english-literature-past-papers-2024/#post-81734</link>
                        <pubDate>Mon, 24 Aug 2026 08:49:51 +0000</pubDate>
                        <description><![CDATA[FEDERAL PUBLIC SERVICE COMMISSION
COMPETITIVE EXAMINATION FORRECRUITMENT TO POSTS IN BPS-17 UNDERTHE FEDERAL GOVERNMENT, 2024
 
ENGLISH LITERATURE
 
PART – I (MCQ)
(COMPULSORY)
 

Q...]]></description>
                        <content:encoded><![CDATA[<div style="text-align: center"><strong>FEDERAL PUBLIC SERVICE COMMISSION</strong></div>
<div style="text-align: center"><strong>COMPETITIVE EXAMINATION FOR</strong><br /><strong>RECRUITMENT TO POSTS IN BPS-17 UNDER</strong><br /><strong>THE FEDERAL GOVERNMENT, 2024</strong></div>
<div style="text-align: center"> </div>
<div style="text-align: center"><span style="font-size: 14pt"><strong>ENGLISH LITERATURE</strong></span></div>
<div style="text-align: center"> </div>
<div class="PDq2pG_selectionAnchorContainer" style="text-align: center" data-section-id="1flodau" data-start="578" data-end="595"><span style="font-size: 14pt"><strong>PART – I (MCQ)<span class="PDq2pG_selectionAnchor" aria-hidden="true"></span></strong></span></div>
<div style="text-align: center" data-start="597" data-end="613"><span style="font-size: 14pt"><strong>(COMPULSORY)</strong></span></div>
<div data-start="597" data-end="613"> </div>
<div data-start="597" data-end="613">
<h3><span>Q.1.</span></h3>
<p class="isSelectedEnd"><strong>(i) Select the best option/answer and fill in the appropriate Box on the OMR Answer Sheet. (20 × 1 = 20)</strong></p>
<p class="isSelectedEnd"><strong>(ii) Answers given anywhere else, other than OMR Answer Sheet, will not be considered.</strong></p>
<p>&nbsp;</p>
<p class="isSelectedEnd"><strong><span>1.</span></strong><span> According to Russell, what is the connection between envy and unhappiness?</span></p>
<p class="isSelectedEnd"><span>(A) Envy is a catalyst for happiness</span><br /><span>(B) Envy is unrelated to happiness</span><br /><span>(C) Envy is a source of unhappiness</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>2.</span></strong><span> What emotional tone is prevalent in the final stanza of Keats’ </span><em><span>Ode to Autumn</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) Melancholic</span><br /><span>(B) Joyful</span><br /><span>(C) Anxious</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>3.</span></strong><span> What does “The Lotus Eater” symbolize in the context of the story?</span></p>
<p class="isSelectedEnd"><span>(A) A drug</span><br /><span>(B) A mythical creature</span><br /><span>(C) A state of indulgence and lethargy</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>4.</span></strong><span> Which literary technique is frequently employed by Whitman in the poem </span><em><span>“As I Ponder’d in Silence”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) Sonnet form</span><br /><span>(B) Rhymed couplets</span><br /><span>(C) Free verse and cataloguing</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>5.</span></strong><span> In Russell's essay, what does he propose as a key factor in overcoming the fear of public opinion and achieving genuine happiness?</span></p>
<p class="isSelectedEnd"><span>(A) Indifference</span><br /><span>(B) Solitude</span><br /><span>(C) Conforming</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>6.</span></strong><span> What does Ulysses mean by the phrase “to strive, to seek, to find, and not to yield”?</span></p>
<p class="isSelectedEnd"><span>(A) He is submitting to death indifferently</span><br /><span>(B) He has given up on all pursuits</span><br /><span>(C) He wishes to retire peacefully</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>7.</span></strong><span> How does Whitman convey a sense of inclusivity in the poem </span><em><span>“As I Ponder’d in Silence”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) Through exclusionary language</span><br /><span>(B) By emphasizing individualism</span><br /><span>(C) By addressing a diverse range of people and experiences</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>8.</span></strong><span> What war is looming in the background of Shaw’s </span><em><span>“Heartbreak House”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) World War I</span><br /><span>(B) World War II</span><br /><span>(C) The Napoleonic Wars</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>9.</span></strong><span> According to Russell, what is the advocated approach to balancing external achievements and internal well-being for lasting happiness?</span></p>
<p class="isSelectedEnd"><span>(A) Prioritizing</span><br /><span>(B) Balancing</span><br /><span>(C) Ignoring</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>10.</span></strong><span> What famous play did Shaw write as a sequel to </span><em><span>“Pygmalion,”</span></em><span> exploring the consequences of Eliza's newfound social status?</span></p>
<p class="isSelectedEnd"><span>(A) </span><em><span>“Man and Superman”</span></em><br /><span>(B) </span><em><span>“Major Barbara”</span></em><br /><span>(C) </span><em><span>“Heartbreak House”</span></em><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>11.</span></strong><span> What style of theatre is often associated with </span><em><span>“Waiting for Godot”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) Realism</span><br /><span>(B) Absurdism</span><br /><span>(C) Romanticism</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>12.</span></strong><span> Which literary device is prominently featured in the poem </span><em><span>The Second Coming’s</span></em><span> opening lines, “Turning and turning in the widening gyre / the falcon cannot hear the falconer”?</span></p>
<p class="isSelectedEnd"><span>(A) Simile</span><br /><span>(B) Metaphor</span><br /><span>(C) Symbolism</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>13.</span></strong><span> Which of the following best characterizes the rhythm and meter of </span><em><span>“The Second Coming”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) Strict adherence to a regular meter</span><br /><span>(B) Frequent use of rhyme schemes</span><br /><span>(C) Varied and irregular meter</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>14.</span></strong><span> What is the central theme of </span><em><span>“The Lotus Eater”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) The pursuit of wealth</span><br /><span>(B) The danger of indulgence</span><br /><span>(C) The allure of nature</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>15.</span></strong><span> What role does philosophy play in </span><em><span>“Under the Net”</span></em><span> by Iris Murdoch?</span></p>
<p class="isSelectedEnd"><span>(A) It serves as a mere backdrop</span><br /><span>(B) No philosophy in the plot</span><br /><span>(C) It confuses the narrative</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>16.</span></strong><span> What role does symbolism play in </span><em><span>“Sons and Lovers”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) There is no symbolism</span><br /><span>(B) Superficial embellishment</span><br /><span>(C) Conveys psychological complexities</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>17.</span></strong><span> What characterizes the language used in absurd theatre?</span></p>
<p class="isSelectedEnd"><span>(A) Clear and logical</span><br /><span>(B) Symbolic and metaphorical</span><br /><span>(C) Poetic and lyrical</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>18.</span></strong><span> What term is often used in Marxist literary theory to describe works that reflect and critique the economic and social conditions of their time?</span></p>
<p class="isSelectedEnd"><span>(A) Bourgeoisie literature</span><br /><span>(B) Proletarian literature</span><br /><span>(C) Utopian literature</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>19.</span></strong><span> What genre influences Iris Murdoch's writing style in </span><em><span>“Under the Net”</span></em><span>?</span></p>
<p class="isSelectedEnd"><span>(A) Science fiction</span><br /><span>(B) Mystery</span><br /><span>(C) Philosophical fiction</span><br /><span>(D) None of these</span></p>
<p class="isSelectedEnd"><strong><span>20.</span></strong><span> How does deconstructionism challenge the traditional binary oppositions in language and thought?</span></p>
<p class="isSelectedEnd"><span>(A) By deconstructing and subverting binary oppositions</span><br /><span>(B) By reinforcing and solidifying binary oppositions</span><br /><span>(C) By avoiding any engagement with binary concepts</span><br /><span>(D) None of these</span></p>
<p>&nbsp;</p>
<h1 style="text-align: center"><span style="font-size: 14pt">PART-II</span></h1>
<h2><span>NOTE:</span></h2>
<p class="isSelectedEnd"><span>(i) Part-II is to be attempted on the separate Answer Book.</span></p>
<p class="isSelectedEnd"><span>(ii) Attempt </span><strong><span>ONLY FOUR questions</span></strong><span> from PART-II. </span><strong><span>ALL questions carry EQUAL marks.</span></strong></p>
<p class="isSelectedEnd"><span>(iii) All the parts (if any) of each Question must be attempted at one place instead of at different places.</span></p>
<p class="isSelectedEnd"><span>(iv) Write Q. No. in the Answer Book in accordance with Q. No. in the Q.Paper.</span></p>
<p class="isSelectedEnd"><span>(v) No Page/Space be left blank between the answers. All the blank pages of Answer Book must be crossed.</span></p>
<p class="isSelectedEnd"><span>(vi) Extra attempt of any question or any part of the question will not be considered.</span></p>
<h3> </h3>
<h3><span>Q. No. 2.</span></h3>
<p class="isSelectedEnd"><span>Critically analyze whether Emerson's transcendentalist philosophy has enduring value and applicability in addressing current societal and individual concerns.</span></p>
<p class="isSelectedEnd"><strong><span>(20)</span></strong></p>
<h3> </h3>
<h3><span>Q. No. 3.</span></h3>
<p class="isSelectedEnd"><span>Investigate O’ Henry's intentions in crafting </span><em><span>“The Gift of the Magi”</span></em><span> and how his writing style contributes to the story's impact? What literary devices does he employ to evoke emotions and convey the central message?</span></p>
<p class="isSelectedEnd"><strong><span>(20)</span></strong></p>
<h3> </h3>
<h3><span>Q. No. 4.</span></h3>
<p class="isSelectedEnd"><span>Explore ecocritical perspectives in </span><em><span>“Tintern Abbey.”</span></em><span> How does Wordsworth engage with ecological themes, and what environmental ethics can be discerned in the poem?</span></p>
<p class="isSelectedEnd"><strong><span>(20)</span></strong></p>
<h3> </h3>
<h3><span>Q. No. 5.</span></h3>
<p class="isSelectedEnd"><span>Investigate the portrayal of women in </span><em><span>“Hamlet,”</span></em><span> focusing on Gertrude and Ophelia. How do gender roles and societal expectations influence their actions and outcomes? Discuss the agency or lack thereof granted to female characters in the play.</span></p>
<p class="isSelectedEnd"><strong><span>(20)</span></strong></p>
<h3> </h3>
<h3><span>Q. No. 6.</span></h3>
<p class="isSelectedEnd"><span>How do Orwell's warnings about authoritarianism, surveillance, and propaganda resonate with contemporary political and social developments? Discuss the enduring significance of </span><em><span>“1984”</span></em><span> in the 21st century as a cautionary tale.</span></p>
<p class="isSelectedEnd"><strong><span>(20)</span></strong></p>
<h3> </h3>
<h3><span>Q. No. 7.</span></h3>
<p class="isSelectedEnd"><span>What are the limitations and potential shortcomings of feminist approaches to literature? Evaluate the challenges and criticisms faced by Feminist Criticism as a literary theory.</span></p>
<p class="isSelectedEnd"><strong><span>(20)</span></strong></p>
<h3> </h3>
<h3><span>Q. No. 8.</span></h3>
<p class="isSelectedEnd"><span>Examine the thematic exploration of guilt, redemption, and atonement within the context of a judgmental society in Nathaniel Hawthorne's </span><em><span>“The Scarlet Letter.”</span></em></p>
<p class="isSelectedEnd"><strong><span>(20)</span></strong></p>
<div><hr /></div>
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<div style="text-align: center" data-start="597" data-end="613"> </div>]]></content:encoded>
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